The story of a typical American family—imaginary poultry—and a handpuppet.
There are 10 results
The true story of how a multinational chicken company turned a white man into a black man. The man they did it to? An old time Kentucky Colonel who liked to dress up as a Southern plantation owner in string tie and goatee, who happened to be their own spokesman.
When Alexa was seven, she started going through her grandfather's books. Her grandfather was a playwright and teacher, and through the books—and especially through his notes in the margins—she entered the world of 1930's American theater.
More of Alexa Junge and how Moss Hart's autobiography changed her life. She followed his path, learned specific lessons, and had a vision of him that was absolutely clear—until she met his widow.
Writer Meghan Daum goes to DeSmet, South Dakota, where Laura Ingalls Wilder lived and where many of the books she wrote in the Little House on the Prairie series are set. It turns out to be remarkably similar to what Meghan had pictured before she went: The people seem like they are genuinely trying to hold on to the values Laura Ingalls Wilder writes about in her books.
The story of The Arabian Nights is actually 350 or 400 stories, depending on how you count them. Many of the stories are stories of impossible love, including the very last story in the whole epic tale—the story of Jasmine and Almond.
Viola disguises herself as a man, takes a job working for this guy with whom she promptly falls in love. He believes the pretense: He thinks Viola is a man, so he never gives her a second look.
Ron Copeland is a historical interpreter at the Conner Prairie Living History Museum, outside of Indianapolis. For several months a year, in his job, he pretends to be a slaveowner in the old south.
There's the pretending we do as individuals, and there's the organized pretending that happens in group therapy sessions, in the roleplaying games that are done in some clinical settings. Jack Hitt tells the story of the Mother of All Roleplaying Games.
Alix Spiegel travels with a group of white suburbanites as they pretend to be runaway slaves, at the Conner Prairie Living History Museum. Her goal: to find out what it is that people actually get out of this elaborate game of pretend.